Miriam Ramos
Cancion Desde Otro Mundo
Arieto (Cuba) 1983
LD-4074 (LP)
sleeve : EX-(SRW, some wear on edge and corner, light dirts.)
media : VG+/VG+(some light noise caused by slightly wear. some light click noise caused by very small pressing-errors. )
An album released in 1980 by Miriam Ramos, one of Cuba’s most highly regarded female singers and a central figure in the Nueva Trova movement that emerged after the Cuban Revolution. The record is entirely dedicated to the works of singer and composer Marta Valdés, considered the most important figure in Cuba’s mellow feeling style. Ramos, who studied vocal performance and popular music at several Cuban conservatories, delivers a soft yet sultry voice that beautifully conveys the brilliance of Valdés’s songs, moving listeners even without understanding the lyrics. The arrangements, rich with orchestration and extensive use of synthesizers, are masterfully crafted, creating an emotionally charged soundscape reminiscent of Argentina’s Litto Nebbia and Uruguay’s Música Popular Uruguaya.
A1: Hay Mil Formas
A2: Cancion Sin Titulo
B2: Cancion Facil
B4: Trini
Cancion Desde Otro Mundo
Arieto (Cuba) 1983
LD-4074 (LP)
sleeve : EX-(SRW, some wear on edge and corner, light dirts.)
media : VG+/VG+(some light noise caused by slightly wear. some light click noise caused by very small pressing-errors. )
An album released in 1980 by Miriam Ramos, one of Cuba’s most highly regarded female singers and a central figure in the Nueva Trova movement that emerged after the Cuban Revolution. The record is entirely dedicated to the works of singer and composer Marta Valdés, considered the most important figure in Cuba’s mellow feeling style. Ramos, who studied vocal performance and popular music at several Cuban conservatories, delivers a soft yet sultry voice that beautifully conveys the brilliance of Valdés’s songs, moving listeners even without understanding the lyrics. The arrangements, rich with orchestration and extensive use of synthesizers, are masterfully crafted, creating an emotionally charged soundscape reminiscent of Argentina’s Litto Nebbia and Uruguay’s Música Popular Uruguaya.
A1: Hay Mil Formas
A2: Cancion Sin Titulo
B2: Cancion Facil
B4: Trini